© 2022 20th Century Studios All Rights ReservedĪs Booster continued his Austen book club for one, so did the parallels. … That’s what Joel is trying to map onto it - what happens when gay men turn on each other, how do those things stratify?” “Even among those divisions, she’s still talking about this very closed system and what happens when people turn on each other within a somewhat limited scope. “The perennial appeal of Jane Austen is these universal internal journeys people go through,” said Yang. How we form those class structures socially around … whether it’s race, or abs, or actual class - money.” “Being in this heightened environment where there are no straight people to oppress us, where we have to figure out ways to oppress each other, and the various ways we do that. “I was struck by how present and relevant her observations about class and the ways people communicate across class lines were,” he said. Revisiting Lizzie Bennett’s story for the first time as an adult, surrounded by a sea of gay New Yorkers peacocking down the beach, he imagined Austen as a prescient chronicler of contemporary gay culture. Hoping to look erudite to passing trade, Booster brought the Jane Austen novel as a beach read on his first trip to Fire Island. (He also loves Joe Wright’s 2005 version with Keira Knightley and Matthew Macfadyen.) Like all cultured gay children, Booster grew up watching the BBC miniseries with his mother, the perfect target demographic for a Colin Firth/Jennifer Ehle period romance.
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“If you want to get technical about it, it started in 2016 as a threat,” Booster said of the day the gay “Pride and Prejudice” idea visited him. To kick off our Pride month coverage with a fabulous bang, IndieWire spoke to the “Fire Island” trifecta about making the summer’s hottest - and most heartfelt - comedy. But the film is undoubtedly Booster’s baby, and with Yang’s star power and Ahn’s creative guidance, “Fire Island” marks a new era not only for Asian American film but also mainstream gay comedies.īowen Yang and Joel Kim Booster, “Fire Island” Directed by indie filmmaker Andrew Ahn (“Spa Night,” “Driveways”) and starring real-life best friends Yang and Booster, it’s also a landmark Asian film arriving on the heels of box-office stunner “Everything Everywhere All at Once.”Ī true ensemble piece, “Fire Island” also stars Margaret Cho, Conrad Ricamora, Matt Rogers, Tomas Matos, Torian Miller, James Scully, and Nick Adams, each wonderful in their own way. Set at New York’s famed gay vacation destination, “Fire Island” is a heartfelt and hilarious “Pride and Prejudice” riff, set to the tune of a queer friend group navigating the toxic landmines of gay male social hierarchy.
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While Eichner’s major studio rom-com “Bros” is set to hit theaters in September, Joel Kim Booster’s “Fire Island” opens Pride month with a bang as it hits Hulu this month.
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That all changes this year, with the release of two mainstream comedy movies from gay writers who also star in their projects.
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Queer TV shows like “The Other Two,” “Search Party,” and “Schitt’s Creek” reflect this sea change, but so far movies have been much slower on the uptake. While queer comedians have been the hottest thing in stand-up for the last decade, it’s no secret that Hollywood is always the last one to get the joke.Īs the likes of Kate McKinnon, Billy Eichner, and Bowen Yang ascended from New York’s musty improv theaters to the casts of “Saturday Night Live” and Disney remakes, the last decade has brought a remarkable shift in not only queer visibility but something far more substantial - queer influence.